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Now showing at Scott Cinemas Penel Orlieu,Bridgwater,Somerset TA6 3PH 0871 230 3200

  • A Walk Among The Tombstones
  • A Walk Among The Tombstones (Subtitled)
  • The Boxtrolls
  • The Equalizer
  • The Two Faces Of January

A Walk Among The Tombstones 3 stars

When a shootout with robbers ends in tragedy, booze-sodden NYPD cop Matt Scudder hangs up his badge and gets sober with the help of AA then re-invents himself as a private investigator. He is hired by Kenny Kristo to track down the sadistic kidnappers, who demanded a hefty ransom for his wife Carrie, took the money and still killed their terrified captive. In the course of his enquiries, Matt befriends homeless teenager TJ, who wants to learn how to be a detective.

  • GenreAction, Adaptation, Thriller
  • CastLiam Neeson, David Harbour, Dan Stevens, Adam David Thompson, Boyd Holbrook, Brian 'Astro' Bradley.
  • DirectorScott Frank.
  • WriterScott Frank.
  • CountryUS
  • Duration114 mins
  • Official sitewww.awalkamongthetombstones.net
  • Release19/09/2014

A grizzled private detective meets his match in a pair of sadistic kidnappers in Scott Frank's gritty thriller. Adapted from Lawrence Block's novel of the same name, A Walk Among The Tombstones establishes its grim tone with soft-focus opening credits depicting a blonde woman (Laura Birn) rousing from slumber under the gentle caress of her lover.

As the camera pulls back, we notice a tear trickle down the woman's porcelain cheek and a strip of metallic tape across her mouth, transforming a beatific dream into a nightmare of intolerable cruelty.

Unspeakably bad things continue to happen to good people throughout Frank's film without any guarantee that justice will prevail. Liam Neeson wades through this moral quagmire in typically robust fashion as the private eye, who risks his life for clients in order to atone for one particular sin committed during his inglorious past as an NYPD cop.

The role is more cerebral than the gung-ho avenging angels in the Taken series and Non-Stop, but director Frank duly caters to fans of Neeson's renaissance as a tough-talking action hero with one bruising fight sequence. When a shoot-out on the streets of 1991 New York City ends in senseless tragedy, booze-sodden officer Matt Scudder (Neeson) hangs up his badge and embraces sobriety with the support of Alcoholics Anonymous.

He re-surfaces as an unlicensed private detective, working out of his apartment in Hell's Kitchen. Fellow AA member Peter Kristo (Boyd Holbrook) approaches Matt with an urgent request to help his brother Kenny (Dan Stevens), who has just paid a 400,000 dollar ransom for his wife (Razane Jammal).

The kidnappers took the money then dismembered their hostage. Matt visits Kenny in his plush apartment and the former cop deduces the grief-stricken husband is a drug dealer. Interestingly, the perpetrators knew this from their ransom demand: "You'd pay a million for her if she was product."

Despite initial misgivings, Matt agrees to help Kenny unmask the merciless perpetrators, Ray (David Harbour) and Albert (Adam David Thompson), who are already scoping their next target. In the course of his enquiries, Matt encounters homeless teenager TJ (Brian 'Astro' Bradley), who needs a father figure to keep him safe on the mean streets of the Big Apple.

A Walk Among The Tombstones is a solid and involving genre piece that lays the groundwork for further adaptations of Block's series of books dedicated to Scudder. Matt's sweetheart Elaine, who is prominent on the page, is missing in action from Frank's film, allowing us to concentrate on the case and the relationship between Matt and TJ that feels like a convenient plot device rather than a fully realised surrogate father-son bond.

Neeson doesn't have to stretch himself in the undemanding and hard-hitting lead role, while Downton Abbey heartthrob Stevens makes little impact amidst the explosions of brutality.

Showtimes (Click time to book tickets)

Wednesday 1st October 2014
Thursday 2nd October 2014

A Walk Among The Tombstones (Subtitled) 3 stars

When a shootout with robbers ends in tragedy, booze-sodden NYPD cop Matt Scudder hangs up his badge and gets sober with the help of AA then re-invents himself as a private investigator. He is hired by Kenny Kristo to track down the sadistic kidnappers, who demanded a hefty ransom for his wife Carrie, took the money and still killed their terrified captive. In the course of his enquiries, Matt befriends homeless teenager TJ, who wants to learn how to be a detective.

  • GenreAction, Adaptation, Thriller
  • CastAdam David Thompson, Liam Neeson, Boyd Holbrook, Dan Stevens, David Harbour, Brian 'Astro' Bradley.
  • DirectorScott Frank.
  • WriterScott Frank.
  • CountryUS
  • Duration114 mins
  • Official sitewww.awalkamongthetombstones.net
  • Release19/09/2014

A grizzled private detective meets his match in a pair of sadistic kidnappers in Scott Frank's gritty thriller. Adapted from Lawrence Block's novel of the same name, A Walk Among The Tombstones establishes its grim tone with soft-focus opening credits depicting a blonde woman (Laura Birn) rousing from slumber under the gentle caress of her lover.

As the camera pulls back, we notice a tear trickle down the woman's porcelain cheek and a strip of metallic tape across her mouth, transforming a beatific dream into a nightmare of intolerable cruelty.

Unspeakably bad things continue to happen to good people throughout Frank's film without any guarantee that justice will prevail. Liam Neeson wades through this moral quagmire in typically robust fashion as the private eye, who risks his life for clients in order to atone for one particular sin committed during his inglorious past as an NYPD cop.

The role is more cerebral than the gung-ho avenging angels in the Taken series and Non-Stop, but director Frank duly caters to fans of Neeson's renaissance as a tough-talking action hero with one bruising fight sequence. When a shoot-out on the streets of 1991 New York City ends in senseless tragedy, booze-sodden officer Matt Scudder (Neeson) hangs up his badge and embraces sobriety with the support of Alcoholics Anonymous.

He re-surfaces as an unlicensed private detective, working out of his apartment in Hell's Kitchen. Fellow AA member Peter Kristo (Boyd Holbrook) approaches Matt with an urgent request to help his brother Kenny (Dan Stevens), who has just paid a 400,000 dollar ransom for his wife (Razane Jammal).

The kidnappers took the money then dismembered their hostage. Matt visits Kenny in his plush apartment and the former cop deduces the grief-stricken husband is a drug dealer. Interestingly, the perpetrators knew this from their ransom demand: "You'd pay a million for her if she was product."

Despite initial misgivings, Matt agrees to help Kenny unmask the merciless perpetrators, Ray (David Harbour) and Albert (Adam David Thompson), who are already scoping their next target. In the course of his enquiries, Matt encounters homeless teenager TJ (Brian 'Astro' Bradley), who needs a father figure to keep him safe on the mean streets of the Big Apple.

A Walk Among The Tombstones is a solid and involving genre piece that lays the groundwork for further adaptations of Block's series of books dedicated to Scudder. Matt's sweetheart Elaine, who is prominent on the page, is missing in action from Frank's film, allowing us to concentrate on the case and the relationship between Matt and TJ that feels like a convenient plot device rather than a fully realised surrogate father-son bond.

Neeson doesn't have to stretch himself in the undemanding and hard-hitting lead role, while Downton Abbey heartthrob Stevens makes little impact amidst the explosions of brutality.

Showtimes (Click time to book tickets)

Tuesday 30th September 2014

The Boxtrolls 4 stars

movie title

An orphaned boy named Eggs is raised by gentle subterranean creatures that have been unfairly demonised by the terrified, fromage-fixated residents of Cheesebridge. When pest exterminator Archibald Snatcher and his henchmen begin to exterminate the Boxtrolls, Eggs joins forces with the surviving creatures and a girl called Winnie to protect the beasties from harm.

  • GenreAdaptation, Adventure, Animation/Cartoon, Comedy, Family, Family, Fantasy
  • CastToni Collette, Elle Fanning, Simon Pegg, Nick Frost, Isaac Hempstead-Wright, Jared Harris, Sir Ben Kingsley.
  • DirectorGraham Annable, Anthony Stacchi.
  • WriterIrena Brignull, Adam Pava.
  • CountryUS
  • Duration97 mins
  • Official sitewww.theboxtrolls.co.uk
  • Release12/09/2014

Based on the novel Here Be Monsters! by Alan Snow, The Boxtrolls is a rollicking stop-motion animated romp from the makers of Coraline and ParaNorman that proves weird can be truly wonderful. With faint echoes of Raymond Briggs' Fungus The Bogeyman, Graham Annable and Anthony Stacchi's quirky fantasy imagines a race of subterranean creatures, who root through bins in search of spare parts for their mechanical creations.

Despite a hearty appetite for slimy bugs, these pungent, green-skinned denizens of the underworld are cute rather than scary, possessing relatable human traits such as a passion for music or a quivering fear of the unknown. They spare troll blushes by wearing empty cardboard boxes and the former contents of these mouldering cartons provide each expressive character with a name such as Fish, Knickers, Sweets, Clocks and Fragile (ho ho!).

The meticulous detail of the movable figures and miniature sets is impressive, and co-directors Annable and Stacchi corral a vast team of animators, who produce thrilling chases and quieter moments of ribald humour.

The well-to-do, Victorian-era city of Cheesebridge is visited under the cloak of darkness by the eponymous beasties. One dark night, a Boxtroll called Fish (voiced by Dee Bradley Baker) kidnaps the infant son of a local inventor (Simon Pegg) and spirits away the child to the underground lair.

This shocking act plays into the grubby hands of pest exterminator Archibald Snatcher (Sir Ben Kingsley). "Prepare to say bye-bye to your brie, cheerio to your cheddar!" cackles Snatcher, striking fear into the heart of Lord Portley-Rind (Jared Harris) and the other fromage-fixated noblemen.

They grant Snatcher a place at the cheese-tasting top table if the exterminator and his henchmen - Mr Trout (Nick Frost), Mr Pickles (Richard Ayoade) and Mr Gristle (Tracy Morgan) - kill every last Boxtroll. Unaware that he is human, abducted boy Eggs (Isaac Hempstead-Wright) ventures above ground with the Boxtrolls and encounters Lord Portley-Rind's snooty daughter, Winnie (Elle Fanning).

She initially believes the horror stories about Boxtrolls devouring children - "Eat me. I'm sure I'm delicious!" - but once Winnie learns the truth about Eggs' past, she agrees to help vanquish Snatcher and his snivelling cohorts.

The Boxtrolls is a delight for the young and young at heart, hinging on the notion that families come in all shapes and sizes. Irena Brignull and Adam Pava's script is laden with verbal and visual gags, striking a gently mischievous tone throughout like when Winnie spots Eggs tugging at the crotch of his uncomfortable suit and whispers, "Don't snatch them in public. That's why they are called privates!"

Frost, Ayoade and Morgan provide the majority of the comic relief between action-packed set-pieces. Remain seated during the end credits for a hilarious scene of existential angst, which succinctly reminds us how pain-staking and time-consuming the stop-motion animation process is.

Showtimes (Click time to book tickets)

Tuesday 30th September 2014
Wednesday 1st October 2014
Thursday 2nd October 2014

The Equalizer 3 stars

movie title

Robert McCall has turned his back on his past as a covert government operative and has fashioned an unremarkable life in suburbia. At night, McCall works his way through a list of 100 books everyone should read while enjoying a coffee at his local diner, where he befriends a sassy prostitute called Teri. When she ends up in hospital, battered and bruised at the hands of her controlling pimp Slavi, McCall exacts revenge and sparks a war with the Russian Mafia.

  • GenreAction, Drama, Thriller
  • CastMarton Csokas, Denzel Washington, Chloe Grace Moretz, Melissa Leo, Bill Pullman, David Harbour.
  • DirectorAntoine Fuqua.
  • WriterRichard Wenk.
  • CountryUS
  • Duration132 mins
  • Official sitewww.equalizerthemovie.com
  • Release26/09/2014

Director Antoine Fuqua, who guided Denzel Washington to the Oscar podium in Training Day, reunites with the charismatic actor for this gratuitously violent reimagining of the beloved 1980s TV series.

Nostalgic memories of Edward Woodward's refined approach to justice and crime-fighting on the small screen are blown to smithereens by this brutish, big-screen rendering of The Equalizer. In a dizzying opening fight sequence, Washington impales a corkscrew in one henchman's noggin and repeatedly pummels a couple more as if he was tenderising a large slab of steak.

Each bone-cracking blow, stab and punch is captured in balletic close-up; a queasy dance of death that reaches a hilarious and frenetic crescendo with drills and sledgehammers in a hardware warehouse where the title character works when he's not coolly doling out just desserts.

Screenwriter Richard Wenk, who co-wrote The Expendables 2 with Sylvester Stallone, comes perilously close to the tongue-in-cheek tone of that film when Washington is asked by a work colleague how he hurt his bandaged hand and he drolly responds, "I hit it on something stupid". We presume he means the script, considering the implausibilities of the final act, steeped in mindless and repetitive bloodletting.

Robert McCall (Washington) has turned his back on his past as a covert government operative and has fashioned an unremarkable life in suburbia, where he nurses memories of his dead wife. By day, he earns a decent wage in a Home Mart warehouse and mentors another employee, Ralphie (Johnny Skourtis), through his security guard's exam.

By night, McCall works his way through a list of 100 books everyone should read while enjoying a coffee at his local diner, where he befriends a sassy prostitute called Teri (Chloe Grace Moretz). When she ends up in hospital, battered and bruised at the hands of her controlling Russian pimp Slavi (David Meunier), McCall exacts revenge. Justice seemingly prevails.

Unfortunately, Slavi and his goons are a link in a bigger chain controlled by the Russian Mafia and they dispatch sadistic fixer Teddy (Marton Csokas) to track down McCall. The Equalizer starts off promisingly, exploring the minutiae of McCall's daily life as a man scarred by grief and tormented by his past.

Washington is in his element in these early scenes, capturing the maelstrom of emotions that simmer beneath his character's placid surface. Once the first drop of blood is spilt, director Fuqua seizes every opportunity for wanton carnage, to the point that it seems like nothing short of a nuclear explosion will stop McCall in his tracks.

Csokas' vindictive antagonist has little depth beyond his propensity for cruelty and pain, which is something we experience as the running time drags unnecessarily into a third hour.

Showtimes (Click time to book tickets)

Tuesday 30th September 2014
Wednesday 1st October 2014
Thursday 2nd October 2014

The Two Faces Of January 4 stars

movie title

American businessman Chester MacFarland and his younger wife Colette cut elegant figures during a European vacation. Greek-speaking guide Rydal, who scams unsuspecting tourists, is drawn to the glamorous couple and he gladly accepts an invitation to dinner in order to get closer to Colette. At the end of the night, Rydal walks in on Chester moving the seemingly unconscious body of a man into another room. Caught in the act, Chester enlists Rydal's help to hide the evidence.

  • GenreAdaptation, Drama, Historical/Period, Romance, Thriller
  • CastViggo Mortensen, Oscar Isaac, Kirsten Dunst, David Warshofsky.
  • DirectorHossein Amini.
  • WriterHossein Amini.
  • CountryUK/US/Fr
  • Duration96 mins
  • Official site
  • Release16/05/2014 (selected cinemas)

Like Agatha Christie before her, Patricia Highsmith repeatedly challenged the moral compass of her readers with disturbing psychological thrillers that nudged her characters to the brink of madness.

In her debut novel, Strangers On A Train, she conceived a seemingly perfect murder for every disgruntled husband, which Hitchcock brilliantly adapted for the big screen. Almost 50 years later, Anthony Minghella tapped into the disturbing sexual undercurrents of her 1955 novel The Talented Mr Ripley for a hauntingly seductively jaunt through Italy that netted five Oscar nominations.

The Two Faces Of January was published almost a decade after Highsmith unleashed her iconic con artist, Tom Ripley, and once again, she indulges in obsession-fuelled skulduggery albeit against a vivid backdrop of sun-baked 1960s Athens. Hossein Amini's slow-burning film version conceals its Machiavellian machinations behind an elegant facade of impeccable period costumes and picturesque cinematography.

Yet while this assured directorial debut is sweeping in scope, the focus of Amini's lean script is the characters' strained relationships and notably the frayed bonds of trust between two men, who must rely on each other to escape a hairy predicament of their own making.

The film opens at the Acropolis where American businessman Chester MacFarland (Viggo Mortensen) and younger wife Colette (Kirsten Dunst) cut elegant figures on the steps of the citadel. Greek-speaking guide Rydal (Oscar Isaac), who scams unsuspecting tourists out of hard-earned drachmas, is drawn to the glamorous couple and he gladly accepts their invitation to dinner.

At the end of the night as he makes his way home, Rydal discovers Colette has mislaid a possession on the back seat of the taxi so he asks the driver to make a detour to the MacFarlands' exclusive hotel. Unexpectedly, Rydal walks in on Chester moving the seemingly unconscious body of a man (David Warshofsky) into another room. The businessman explains that he was protecting his wife.

Blinded by his infatuation with Colette, Rydal pledges his help and suggests a means to obtain fake passports and escape the country. As the trio heads for the coast, the police give chase. "We're joined at the hip," Chester assures Rydal. "I get caught, I take you down. You get caught, you turn me in."

Shot on location in Greece and Turkey, The Two Faces Of January nods appreciatively to both Highsmith and Hitchcock, ratcheting up tension as the two men trade verbal blows in order to secure Colette's divided affections. Mortensen and Isaac relish these fractious exchanges, creating a twisted father-son dynamic with Oedipal yearnings for Dunst's third wheel.

Her role feels slightly undernourished but she's pivotal to the on-screen chicanery and the film's centrepiece sequence in subterranean gloom. Because it's under the comforting cloak of darkness that men's ugly, true natures are revealed.

Showtimes (Click time to book tickets)

Wednesday 1st October 2014
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